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Mountain and Pine Engraved Wooden Pin

A wood-toned concept joins a mountain-and-water scene with a tall pine shape, using dark line artwork and a shared lower contour.

Model
CB-BADGE-WOODENGRAVE-002
Material
Engraved wood
MOQ
100
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Size & quantityIf known
Shape

Illustrated references for comparison. Your agreed customisation brief defines the final result.

Wood species

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Engraving style

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Artwork colours

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Attachment

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Wood surface

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Printed accents
Optional effects

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Packaging

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Add packaging details Optional
Backing card print

Illustrated references for comparison. Your agreed customisation brief defines the final result.

Pin posts

Illustrated references for comparison. Your agreed customisation brief defines the final result.

Attachments Optional

Up to 10 files · 20 MB each · 50 MB total

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Displayed example & production information
PRODUCT REFERENCE

Mountain and Pine Engraved Wooden Pin — Displayed example information

Design reference details. Choose dimensions, colours and fittings for your brief; production artwork records the agreed specification.

Reference model
CB-BADGE-WOODENGRAVE-002
Product colour
Natural wood tone
Product shape
Twin icon silhouette
Construction and process
Dark engraved-style linework on a wood-body concept.
Design material
Engraved wood
Packaging brief
Protective packaging selected to suit your project.
Typical MOQ100
Reference sample lead time5–7 days
Reference production lead time7–20 days
Product detailsEngraved Wooden Pins

Your design, engraved in wood.

Detail of the dark pine branches and horizontal water lines on the joined wooden landscape concept

Engraved Wooden Pins, made around your design.

Engraved outlines, text and filled details bring your design into the wood surface.

Two outdoor forms share one base

The mountain scene occupies the left, with a circular sky element and narrow water lines. A larger pine stands beside it, extending higher than the scene's lower landscape.

Choose a clear line-art vocabulary

Specify which mountain shadows and tree branches remain solid dark areas. A tonal drawing should distinguish the standalone pine from the smaller trees within the scenic panel.

Check the junction between scene and tree

Review the narrow connection and lower outline where the two motifs meet. The intended physical perimeter should be identified separately from the internal water and branch marks.

Product highlights

What this example demonstrates.

Two outdoor forms share one base

The mountain scene occupies the left, with a circular sky element and narrow water lines.

Choose a clear line-art vocabulary

Specify which mountain shadows and tree branches remain solid dark areas.

Check the junction between scene and tree

Review the narrow connection and lower outline where the two motifs meet.

Specification guide
Process
Engraved Wooden Pins
Shape & size
To your artwork, with inches and millimetres supported
Appearance
Your design, engraved in wood.
Backing
Selected for the design and intended use
Presentation
Protective bags, cards or custom packaging
Samples & delivery
Reviewed for your artwork, quantity and destination
See the material & process

Engraved Wooden Pins

Engraved outlines, text and filled details bring your design into the wood surface.

Original concept illustration. Final appearance follows the agreed artwork and specifications.

From your idea to production
01 / YOUR BRIEF

Share the essentials

Choose your options and upload your design if available.

02 / ARTWORK REVIEW

Refine the details

We review the process, colours, structure and attachment against your design.

03 / QUOTATION

Confirm before production

Sampling, packaging and delivery are agreed for your project.

Frequently asked questions

Is the pine a separate supplied piece?

The concept presents both motifs within one connected wooden outline.

What separates the tall pine from the scene's trees?

Its larger standalone silhouette sits to the right of the mountain panel.

How should the water be prepared for engraving?

Supply distinct horizontal line shapes with the desired open spaces between them.

Can another local tree replace the pine?

Provide a recognisable tonal tree drawing and review the new shared contour.

Which connection should be checked on the outline?

Inspect the lower junction between the scenic panel and the standalone tree.

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